islands_wonder_by_noel_clark
airborn_by_dave_bassett
attack_by_sally_everson
backbeach_by_terri_garside
bigfoot_by_tina_dial
birds_nest_fungi_by_jenny_vass
black_swan_cygnets_by_lloyd_anderson
blowfly_by_keith_aggett
blue_triangle_butterfly_by_philip_christensen
blue_triangle_butterfly_by_philip_christensen
cape_pigeon_by_tina_dial
central_netted_dragon_by_roger_grohmann
charging_tusker_by_palli_gajree
coasrt_crab_on_cable_by_roder_grohmann
cockatoo_drinking_bydave_bassett
confrontation_by_noel_clark
cooling_off_by_rene_martens
damselfly_on_thorns_by_keith_aggett
delicious_meal_by_palli_gajree
enjoying_the_catch_by_jenny_vass
ever_watchful_by_palli_gajree
feedinfg_spinebill_by_neville_foster
goanna_by_margaret_ogrady
growl_by_sally_everson
heather_thorning
heather_thorning
heather_thorning
is_taht_me_by_jenny_vass
joanne_rinaldi
joanne_rinaldi
joanne_rinaldi
keep_your_eyes_open_by_parminder_singh
koel_pair_by_keith_ireland
kookaburra_by_lloyd_anderson
lady_elliot_island_fish_by_noel_clark
lapping_by_sally_everson
look_son_a_new_world_by_neville_foster
milky_stream_by_parminder_singh
paradise_kingfisher_by_keith_ireland
pelican_by_vishwanath_sethuram
pelican_feeding_by_vishwanath_sethuram
purakaunai_falls_nz_by_parminder_singh
red_capped_plover_by_lloyd_anderson
red_rumped_parrot_by_bob_britcher
red_tailed_cockatoo_by_dave_bassett
spider_with_prey_by_neville_foster
spotted_bower_bird_by_bob_britcher
tern_by_tina_dial
the_crab_by_margaret_ogrady
turtle_hatchling_on_cable_beach_by_roger_grohmann
waterlilly_by_philip_christensen
white_faced_heron_by_philip_christensen
white_necked_heron_by_bob_britcher
islands_wonder_by_noel_clark
airborn_by_dave_bassett
attack_by_sally_everson
backbeach_by_terri_garside
bigfoot_by_tina_dial
birds_nest_fungi_by_jenny_vass
black_swan_cygnets_by_lloyd_anderson
blowfly_by_keith_aggett
blue_triangle_butterfly_by_philip_christensen
blue_triangle_butterfly_by_philip_christensen
cape_pigeon_by_tina_dial
central_netted_dragon_by_roger_grohmann
charging_tusker_by_palli_gajree
coasrt_crab_on_cable_by_roder_grohmann
cockatoo_drinking_bydave_bassett
confrontation_by_noel_clark
cooling_off_by_rene_martens
damselfly_on_thorns_by_keith_aggett
delicious_meal_by_palli_gajree
enjoying_the_catch_by_jenny_vass
ever_watchful_by_palli_gajree
feedinfg_spinebill_by_neville_foster
goanna_by_margaret_ogrady
growl_by_sally_everson
heather_thorning
heather_thorning
heather_thorning
is_taht_me_by_jenny_vass
joanne_rinaldi
joanne_rinaldi
joanne_rinaldi
keep_your_eyes_open_by_parminder_singh
koel_pair_by_keith_ireland
kookaburra_by_lloyd_anderson
lady_elliot_island_fish_by_noel_clark
lapping_by_sally_everson
look_son_a_new_world_by_neville_foster
milky_stream_by_parminder_singh
paradise_kingfisher_by_keith_ireland
pelican_by_vishwanath_sethuram
pelican_feeding_by_vishwanath_sethuram
purakaunai_falls_nz_by_parminder_singh
red_capped_plover_by_lloyd_anderson
red_rumped_parrot_by_bob_britcher
red_tailed_cockatoo_by_dave_bassett
spider_with_prey_by_neville_foster
spotted_bower_bird_by_bob_britcher
tern_by_tina_dial
the_crab_by_margaret_ogrady
turtle_hatchling_on_cable_beach_by_roger_grohmann
waterlilly_by_philip_christensen
white_faced_heron_by_philip_christensen
white_necked_heron_by_bob_britcher
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![]() ERMINGTON NSW 1700 Australia |
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Bio
At almost 96 years of age, Graham is a living legend in the photography world with two books under his belt and another in the pipeline. His photographs are held in many institutions around Australia, including the National Library in Canberra.
His illustrious career includes being a founding member of the Australian Photographic Society in 1962. Since that time, he has contributed enormously to the Society and its members, has been involved in the organisation of national and international exhibitions and has been represented in many solo and group exhibitions. He is a past president and was the APS Print Division chairman for ten years.
He began photographing at the age of seventeen, having been introduced to it by his younger brother, Sydney, who had joined Toowoomba Grammar School’s camera club. Thus began a lifelong passion for the artform and a commitment to its promotion through the photographic movement – the latter seeing him recognised by an Order of Australia medal in 2004 for his services to Photography. The first Queenslander to do so, he has achieved a Fellowship in each of the Australian, British and American Photographic Societies. After 60 years membership, he is patron and life member of the Toowoomba Photographic Society.
As one would expect, he continues to photograph using film and creates prints using gelatin silver.
Contact Details
www.grahamburstow.com.au
Bio
Martyn Jolly is an Honorary Associate Professor at the Australian National University School of Art and Design. He is an artist and a writer.
As an artist he has participated in several major curated exhibitions and developed solo exhibitions which creatively re-use archival photographs. Works from Wonderful Pictures and 1963: News and Information are in the collections of the National Gallery of Australia, the National Gallery of Victoria and the Canberra Museum and Gallery. In 2006 he was one of three artists commissioned to design and build the Act Bushfire Memorial. He completed his PhD on fake photographs and photographic affect at the University of Sydney in 2003.
In 2006 his book Faces of the Living Dead: The Belief in Spirit Photography was published by the British Library, as well as in the US and Australia. In 2011 he undertook a Harold White Fellowship at the National Library of Australia and a Collection Scholar Artist in residence Fellowship at the Australian National Film and Sound Archive. In 2014 he received an Australian Research Council Discovery grant along with Dr Daniel Palmer to research the impact of new technology on the curating of Australian art photography. In 2015 he received an Australian Research Council Discovery Grant to lead the international project Heritage in the Limelight: The Magic Lantern in Australia and the World.
Since 2015 he has developed a series of collaborative magic lantern performances around Australia, available on the Heritage in the Limelight website. In 2020, with Elisa deCourcy he co-edited The Magic Lantern at Work: Witnessing, Persuading, Experiencing and Connecting, and co-authored Empire, Early Photography and Spectacle: the Global Career of Showman Daguerreotypist J. W. Newland, both published by Routledge. His book, co-authored with Daniel Palmer, Installation View: Australian Photography Exhibitions 1848-2020, was published by Perimeter Editions in 2021. He is also researching Australian illustrated magazines, Australiana photobooks, colonial spectacle and modernity, colonial photography, the history of Australian media art, and early Australian visual education.
Contact Details
www.martynjolly.com/
Social Media
facebook.com/martyn.jolly.39
twitter.com/martyn_jolly?lang=en
@martyn_jolly
Bio
Libby co-founded Australia’s first print-on-demand photo book company, Momento, in 2004. Since then she has helped establish the Australia & New Zealand Photobook Awards and the APS Photobook Competition, as well as the first photo book festivals in the region - Photobook Melbourne and Photobook New Zealand. She regularly curates content and hosts events to enable photographers to design and self-publish successful books, and passionately promotes antipodean photo books to the local and international community.
Contact Details
www.momentopro.com.au
Bio
No journalist bridged the worlds of journalism and entertainment more successfully than Ray Martin. He was a New York correspondent for the ABC, a star reporter in the heyday of Channel 9’s Sixty Minutes, hosted the television variety show Midday for eight years, presented the nightly news programme A Current Affair and hosted federal election debates and counts. He broke big stories and along the way collected five Gold Logies for the most popular personality on television and is a member of the Australian Media Hall of Fame.
His philanthropy is evident in his support for the Fred Hollows Foundation and his work in this and other areas is to be applauded.
Less well known is the fact that he is a passionate photographer with a special interest in outback landscape. Not one to take himself too seriously, he describes himself as a mad photographer, Rabbitohs fan and occasional journo.
Ray Martin's Photography Journey
Veteran journalist & award-winning TV personality Ray Martin has been, what he calls, “ a closet photographer” for over half a century.
Paid to TELL the story - not take the pictures - Ray was always being told to “ put the damn camera down” by producers & tv cameramen at Four Corners & 60 Minutes.
Thankfully, he didn’t. To prove it, there’s a catalogue of photographs, a number of exhibitions & a book with his pictures, published by Melbourne University Press
a few years ago, called "Ray Martin’s World". Martin says he’s like 'The Man from American Express' - he never leaves home without his camera! Photos from commercial planes at 37,000 feet have become a specialty. He’s got a million stories to tell of exotic places he’s been, and strange people he’s met; including some truly great photographers.
What’s Ray Martin going to reveal ? Well, as they say in the news business …"Watch This Space".
Social Media
twitter.com/raymartin
Bio
John has been a member of APS for more than 40 years. He is a former President and was a member of the executive for 10 years. He is currently Chair of the APS AV Group. Over his years of membership he has been awarded many photographic honours in still images, AV and for service to both APS and FIAP. He has also judged and made photographic presentations in all Australian states and Territories as well as in New Zealand, England, China and South Africa.
In 2006 John was appointed Patron of the South Australian Photographic Federation and continues to serve in that position. He regularly runs courses in landscape photography and audio visual making for members of clubs affiliated with the Federation and continues to be active as a judge and presenter. His principal photographic interests are audio visuals, landscape, architecture and wildlife.
Contact
Email John Hodgson
Image Format and Size:
Social Documentary Rules Apply. All photographs must be of your own work. Photographs should be as taken within camera. All processing should be basic, with only jpg artifact removal and cropping allowed. That is, no enhancement and without additions of other material or removal of original data which will change the original image.